[{"data":1,"prerenderedAt":881},["ShallowReactive",2],{"blog-pixelight-partenaire-du-salon-jtse-2025":3,"blog-related-pixelight-partenaire-du-salon-jtse-2025":863},{"id":4,"title":5,"author":6,"body":7,"category":850,"date":851,"dateModified":852,"datePublished":851,"description":853,"extension":854,"image":855,"meta":856,"navigation":857,"path":858,"seo":859,"slug":860,"stem":861,"__hash__":862},"blog\u002Fblog\u002F2025-10-19-pixelight-partenaire-du-salon-jtse-2025.md","Écrans LED pour le spectacle vivant et la scénographie — guide JTSE 2025","Pixelight",{"type":8,"value":9,"toc":825},"minimark",[10,27,32,37,152,156,279,283,290,350,354,413,417,421,424,491,495,553,557,561,630,641,645,649,660,664,670,674,681,685,692,765,768,772,786,804],[11,12,13,14,18,19,22,23,26],"p",{},"Pixelight participait au ",[15,16,17],"strong",{},"salon JTSE 2025"," (Journées Techniques du Spectacle et de l'Événement) — les 26 et 27 novembre 2025 au Dock Pullman, Docks de Paris, La Plaine Saint-Denis — en tant que ",[15,20,21],{},"partenaire technique officiel"," et exposant. L'occasion de présenter la gamme LED dédiée au ",[15,24,25],{},"spectacle vivant, à la scénographie et aux installations événementielles"," fixes ou temporaires. Ce guide compile les spécifications techniques essentielles pour les régisseurs, scénographes et intégrateurs audiovisuels.",[28,29,31],"h2",{"id":30},"spécifications-led-pour-la-scène-et-le-spectacle-vivant","Spécifications LED pour la scène et le spectacle vivant",[33,34,36],"h3",{"id":35},"pourquoi-le-led-remplace-la-projection-en-scénographie","Pourquoi le LED remplace la projection en scénographie",[38,39,40,56],"table",{},[41,42,43],"thead",{},[44,45,46,50,53],"tr",{},[47,48,49],"th",{},"Critère",[47,51,52],{},"Vidéoprojecteur",[47,54,55],{},"Écran LED scène",[57,58,59,74,87,100,113,126,139],"tbody",{},[44,60,61,65,68],{},[62,63,64],"td",{},"Luminosité face scène",[62,66,67],{},"5 000 – 15 000 lm (dégradation)",[62,69,70,73],{},[15,71,72],{},"3 000 – 6 000 cd\u002Fm²"," (constant)",[44,75,76,79,82],{},[62,77,78],{},"Lisibilité avec éclairage scène",[62,80,81],{},"Médiocre (lavage)",[62,83,84],{},[15,85,86],{},"Excellente",[44,88,89,92,95],{},[62,90,91],{},"Résolution custom",[62,93,94],{},"Limité aux formats standards",[62,96,97],{},[15,98,99],{},"Sur mesure au mm",[44,101,102,105,108],{},[62,103,104],{},"Poids de la structure",[62,106,107],{},"Projecteur + écran blanc (lourd)",[62,109,110],{},[15,111,112],{},"7 – 9 kg\u002Fm² (rigging facile)",[44,114,115,118,121],{},[62,116,117],{},"Délai de démarrage",[62,119,120],{},"30 – 90 secondes (lampe)",[62,122,123],{},[15,124,125],{},"\u003C 5 secondes (LED instantané)",[44,127,128,131,134],{},[62,129,130],{},"Durée de vie",[62,132,133],{},"3 000 – 6 000 h (lampe)",[62,135,136],{},[15,137,138],{},"100 000 h (LED)",[44,140,141,144,147],{},[62,142,143],{},"Entretien tournée",[62,145,146],{},"Changements de lampe fréquents",[62,148,149],{},[15,150,151],{},"Zéro entretien consommable",[33,153,155],{"id":154},"pitch-recommandé-par-zone-scénique","Pitch recommandé par zone scénique",[38,157,158,177],{},[41,159,160],{},[44,161,162,165,168,171,174],{},[47,163,164],{},"Zone",[47,166,167],{},"Pitch",[47,169,170],{},"Luminosité",[47,172,173],{},"Distance lecture",[47,175,176],{},"Poids typique",[57,178,179,196,213,230,246,262],{},[44,180,181,184,187,190,193],{},[62,182,183],{},"Plateau TV (plateau broadcast)",[62,185,186],{},"P1.9 – P2.5",[62,188,189],{},"800 – 2 000 cd\u002Fm²",[62,191,192],{},"2 – 8 m",[62,194,195],{},"12 – 18 kg\u002Fm²",[44,197,198,201,204,207,210],{},[62,199,200],{},"Scène principale (concert\u002Fthéâtre)",[62,202,203],{},"P2.5 – P3.9",[62,205,206],{},"2 000 – 5 000 cd\u002Fm²",[62,208,209],{},"5 – 30 m",[62,211,212],{},"9 – 14 kg\u002Fm²",[44,214,215,218,221,224,227],{},[62,216,217],{},"Fond de scène (décor fixe)",[62,219,220],{},"P3.9 – P4.8",[62,222,223],{},"1 500 – 4 000 cd\u002Fm²",[62,225,226],{},"8 – 40 m",[62,228,229],{},"8 – 12 kg\u002Fm²",[44,231,232,235,238,240,243],{},[62,233,234],{},"Latéraux et ailes",[62,236,237],{},"P4.8 – P6",[62,239,206],{},[62,241,242],{},"10 – 50 m",[62,244,245],{},"7 – 10 kg\u002Fm²",[44,247,248,251,254,256,259],{},[62,249,250],{},"Écran IMAG (retransmission live)",[62,252,253],{},"P5 – P8",[62,255,72],{},[62,257,258],{},"20 – 100 m",[62,260,261],{},"6 – 9 kg\u002Fm²",[44,263,264,267,270,273,276],{},[62,265,266],{},"Festival outdoor (front-of-house)",[62,268,269],{},"P6 – P10",[62,271,272],{},"5 000 – 8 000 cd\u002Fm²",[62,274,275],{},"30 – 200 m",[62,277,278],{},"6 – 8 kg\u002Fm²",[33,280,282],{"id":281},"taux-de-rafraîchissement-et-compatibilité-broadcast","Taux de rafraîchissement et compatibilité broadcast",[11,284,285,286,289],{},"Le ",[15,287,288],{},"taux de rafraîchissement"," est critique pour les plateaux TV et les événements filmés :",[38,291,292,305],{},[41,293,294],{},[44,295,296,299,302],{},[47,297,298],{},"Contexte",[47,300,301],{},"Hz recommandé",[47,303,304],{},"Résultat",[57,306,307,318,329,339],{},[44,308,309,312,315],{},[62,310,311],{},"Spectacle vivant (non filmé)",[62,313,314],{},"≥ 3 840 Hz",[62,316,317],{},"Pas de scintillement visible à l'œil nu",[44,319,320,323,326],{},[62,321,322],{},"Événement filmé smartphone",[62,324,325],{},"≥ 7 680 Hz",[62,327,328],{},"Pas de banding sur video 60 fps",[44,330,331,334,336],{},[62,332,333],{},"Plateau TV broadcast",[62,335,325],{},[62,337,338],{},"Compatible caméras 50\u002F60 Hz",[44,340,341,344,347],{},[62,342,343],{},"Diffusion 4K HDR",[62,345,346],{},"≥ 7 680 Hz + genlock",[62,348,349],{},"Synchronisation frame parfaite",[33,351,353],{"id":352},"technologie-de-dalle-smd-vs-gob-pour-la-scène","Technologie de dalle : SMD vs GOB pour la scène",[38,355,356,369],{},[41,357,358],{},[44,359,360,363,366],{},[47,361,362],{},"Technologie",[47,364,365],{},"Protection",[47,367,368],{},"Usage scénique",[57,370,371,385,399],{},[44,372,373,379,382],{},[62,374,375,378],{},[15,376,377],{},"SMD"," (standard)",[62,380,381],{},"IP43 – IP54",[62,383,384],{},"Intérieur fixe, plateau TV climatisé",[44,386,387,393,396],{},[62,388,389,392],{},[15,390,391],{},"GOB"," (Glue On Board)",[62,394,395],{},"IP65 + anti-choc",[62,397,398],{},"Tournée intensive, plancher LED scène",[44,400,401,407,410],{},[62,402,403,406],{},[15,404,405],{},"COB"," (Chip On Board)",[62,408,409],{},"IP65 + imperméable",[62,411,412],{},"Outdoor festival, scène exposée pluie",[28,414,416],{"id":415},"touring-vs-installation-fixe-choisir-la-bonne-configuration","Touring vs installation fixe : choisir la bonne configuration",[33,418,420],{"id":419},"led-touring-concerts-festivals-spectacles-en-tournée","LED touring (concerts, festivals, spectacles en tournée)",[11,422,423],{},"Les contraintes du touring imposent des priorités spécifiques :",[38,425,426,435],{},[41,427,428],{},[44,429,430,432],{},[47,431,49],{},[47,433,434],{},"Spec touring recommandée",[57,436,437,448,459,467,475,483],{},[44,438,439,442],{},[62,440,441],{},"Poids dalle",[62,443,444,447],{},[15,445,446],{},"≤ 9 kg\u002Fm²"," (charge plafonnière \u003C 30 kg\u002Fm²)",[44,449,450,453],{},[62,451,452],{},"Temps de montage",[62,454,455,458],{},[15,456,457],{},"\u003C 30 min pour 20 m²"," (clips magnétiques ou à baïonnette)",[44,460,461,464],{},[62,462,463],{},"Robustesse transport",[62,465,466],{},"Caisses flight-case certifiées ATA 300",[44,468,469,472],{},[62,470,471],{},"Redondance alimentation",[62,473,474],{},"Double power supply (hot swap)",[44,476,477,480],{},[62,478,479],{},"Contrôleur",[62,481,482],{},"Novastar MX40 \u002F Brompton Tessera SX40 (redondance signal)",[44,484,485,488],{},[62,486,487],{},"Format dalle",[62,489,490],{},"500 × 500 mm ou 500 × 1 000 mm (compatibilité structures tierces)",[33,492,494],{"id":493},"led-fixe-théâtres-salles-de-spectacle-musées-plateaux-tv-permanents","LED fixe (théâtres, salles de spectacle, musées, plateaux TV permanents)",[38,496,497,506],{},[41,498,499],{},[44,500,501,503],{},[47,502,49],{},[47,504,505],{},"Spec installation fixe",[57,507,508,515,523,530,537,545],{},[44,509,510,512],{},[62,511,167],{},[62,513,514],{},"P1.9 – P2.5 (résolution maximale)",[44,516,517,520],{},[62,518,519],{},"Poids",[62,521,522],{},"12 – 18 kg\u002Fm² (structure murale portante)",[44,524,525,527],{},[62,526,130],{},[62,528,529],{},"100 000 h (pas de remplacement dans l'usage de la salle)",[44,531,532,534],{},[62,533,479],{},[62,535,536],{},"Novastar MCTRL660 Pro \u002F Brompton Tessera SX40 (réseau Ethernet)",[44,538,539,542],{},[62,540,541],{},"Calibration",[62,543,544],{},"Binning ≤ SDCM3 (uniformité couleur scène noire)",[44,546,547,550],{},[62,548,549],{},"Format",[62,551,552],{},"Full custom (s'adapte à l'architecture de la salle)",[28,554,556],{"id":555},"systèmes-de-contrôle-vidéo-présentés-au-jtse-2025","Systèmes de contrôle vidéo présentés au JTSE 2025",[33,558,560],{"id":559},"processeurs-présentés-sur-le-stand-pixelight","Processeurs présentés sur le stand Pixelight",[38,562,563,576],{},[41,564,565],{},[44,566,567,570,573],{},[47,568,569],{},"Processeur",[47,571,572],{},"Capacité",[47,574,575],{},"Usage",[57,577,578,591,604,617],{},[44,579,580,585,588],{},[62,581,582],{},[15,583,584],{},"Novastar VX1000",[62,586,587],{},"10,4 Mpixels",[62,589,590],{},"Scène principale concert\u002Ffestival",[44,592,593,598,601],{},[62,594,595],{},[15,596,597],{},"Novastar MCTRL660 Pro",[62,599,600],{},"2,3 Mpixels",[62,602,603],{},"Plateau TV, salle de spectacle fixe",[44,605,606,611,614],{},[62,607,608],{},[15,609,610],{},"Brompton Tessera SX40",[62,612,613],{},"40 Mpixels",[62,615,616],{},"Production live broadcast, XR studio",[44,618,619,624,627],{},[62,620,621],{},[15,622,623],{},"Colorlight CL10",[62,625,626],{},"6,5 Mpixels",[62,628,629],{},"Événementiel, installation semi-fixe",[11,631,285,632,634,635,640],{},[15,633,610],{}," est le standard de référence pour les productions broadcast et les XR studios — il supporte le genlock, HDR PQ, et DCI-P3 à pleine gamme. ",[636,637,639],"a",{"href":638},"\u002Fblog\u002Fpixelight-sera-present-au-salon-satis-2021","Guide technique XR studios et broadcast LED",".",[28,642,644],{"id":643},"solutions-présentées-au-jtse-2025","Solutions présentées au JTSE 2025",[33,646,648],{"id":647},"murs-led-modulaires-ultra-fins-pour-la-scénographie-dynamique","Murs LED modulaires ultra-fins pour la scénographie dynamique",[11,650,651,652,655,656,659],{},"Les dalles ",[15,653,654],{},"P2.5 et P3.9"," de nouvelle génération descendent à ",[15,657,658],{},"\u003C 70 mm d'épaisseur"," (dalle + boîtier électronique) — une profondeur qui permet l'intégration dans des châssis scéniques et des structures de fond de scène sans débord visible depuis le public.",[33,661,663],{"id":662},"kakemonos-led-verticaux-pour-la-signalétique-vivante","Kakemonos LED verticaux pour la signalétique vivante",[11,665,285,666,669],{},[15,667,668],{},"kakemono LED"," — format 0,5 × 2 m à 0,8 × 3 m — remplace les bâches imprimées dans les allées de salons et les entrées de théâtres. Contenu dynamique modifiable en temps réel depuis le CMS sans reimpression.",[33,671,673],{"id":672},"totems-led-pour-salles-de-spectacle-et-lobbies-culturels","Totems LED pour salles de spectacle et lobbies culturels",[11,675,676,677,680],{},"Les ",[15,678,679],{},"totems LED double-face"," (P2.5 – P3.9, 1,5 – 2,5 m de hauteur) s'installent en 15 minutes dans les halls et foyers. Programmation du programme de la soirée, billetterie en ligne QR code, mécénat institutionnel.",[33,682,684],{"id":683},"pixelight-rental-location-événementielle","PIXELIGHT RENTAL — location événementielle",[11,686,687,688,691],{},"La division ",[15,689,690],{},"PIXELIGHT RENTAL"," propose des configurations LED clé en main pour les spectacles, galas, congrès et festivals :",[38,693,694,709],{},[41,695,696],{},[44,697,698,701,704,706],{},[47,699,700],{},"Configuration",[47,702,703],{},"Surface",[47,705,167],{},[47,707,708],{},"Délai déploiement",[57,710,711,725,739,753],{},[44,712,713,716,719,722],{},[62,714,715],{},"Pack Scène S",[62,717,718],{},"12 m²",[62,720,721],{},"P3.9",[62,723,724],{},"\u003C 45 min",[44,726,727,730,733,736],{},[62,728,729],{},"Pack Scène M",[62,731,732],{},"30 m²",[62,734,735],{},"P3.9 – P5",[62,737,738],{},"\u003C 90 min",[44,740,741,744,747,750],{},[62,742,743],{},"Pack Festival L",[62,745,746],{},"60 m²",[62,748,749],{},"P5 – P6",[62,751,752],{},"\u003C 2 h",[44,754,755,758,761,763],{},[62,756,757],{},"Pack IMAG XL",[62,759,760],{},"2 × 20 m² (flanks)",[62,762,253],{},[62,764,752],{},[766,767],"hr",{},[28,769,771],{"id":770},"faq-écrans-led-pour-le-spectacle-vivant-et-la-scénographie","FAQ — Écrans LED pour le spectacle vivant et la scénographie",[11,773,774,777,778,781,782,785],{},[15,775,776],{},"Quel pitch LED choisir pour un fond de scène de théâtre à jauge 500 places ?","\nPour une salle de 500 places, la distance de lecture la plus éloignée est d'environ 25 – 30 m. Un ",[15,779,780],{},"pitch P3.9"," offre une résolution confortable à partir de 4 m — il couvre donc toute la jauge. Pour un fond de scène utilisé à moins de 10 m (scènes intimistes, frontales), descendre à ",[15,783,784],{},"P2.5"," pour une résolution photographique. À noter : au théâtre, la lumière scène est souvent directe sur le LED — privilégier une luminosité de 2 000 – 4 000 cd\u002Fm² avec gestion automatique de la luminosité (capteur ambiant).",[11,787,788,791,792,795,796,799,800,640],{},[15,789,790],{},"Le LED peut-il être suspendu en porte-à-faux au-dessus de la scène (rigging) ?","\nOui, à condition de respecter la charge admissible des accroches. Les dalles LED touring Pixelight pèsent ",[15,793,794],{},"7 – 9 kg\u002Fm²"," structure incluse. Un mur de 20 m² représente environ 140 – 180 kg — à répartir sur les points d'accroche certifiés de la structure de la salle. Pixelight fournit les ",[15,797,798],{},"fiches de charge certifiées"," pour chaque configuration de rigging et travaille avec les régisseurs techniques pour valider les plans d'accroche. ",[636,801,803],{"href":802},"\u002Fcontact","Contactez Pixelight pour votre projet de scénographie LED",[11,805,806,809,810,813,814,816,817,820,821,824],{},[15,807,808],{},"Quelle est la différence entre les dalles LED standard et les dalles GOB pour une scène avec plancher ?","\nLes dalles ",[15,811,812],{},"SMD standard"," ont les LED à nu — un choc de pied ou une chute d'accessoire peut endommager les puces. Les dalles ",[15,815,391],{}," (Glue On Board) sont recouvertes d'une résine époxy transparente qui protège les LEDs contre les impacts, la poussière et les projections. Pour les ",[15,818,819],{},"planchers LED"," (danse, dance floor, scène praticable), utiliser des dalles GOB IP65 testées à ",[15,822,823],{},"> 500 kg\u002Fm²"," de charge dynamique. Pour les murs et fonds de scène hors portée du public, les dalles SMD P2.5 – P3.9 sont suffisantes.",{"title":826,"searchDepth":827,"depth":827,"links":828},"",2,[829,836,840,843,849],{"id":30,"depth":827,"text":31,"children":830},[831,833,834,835],{"id":35,"depth":832,"text":36},3,{"id":154,"depth":832,"text":155},{"id":281,"depth":832,"text":282},{"id":352,"depth":832,"text":353},{"id":415,"depth":827,"text":416,"children":837},[838,839],{"id":419,"depth":832,"text":420},{"id":493,"depth":832,"text":494},{"id":555,"depth":827,"text":556,"children":841},[842],{"id":559,"depth":832,"text":560},{"id":643,"depth":827,"text":644,"children":844},[845,846,847,848],{"id":647,"depth":832,"text":648},{"id":662,"depth":832,"text":663},{"id":672,"depth":832,"text":673},{"id":683,"depth":832,"text":684},{"id":770,"depth":827,"text":771},"evenements","2025-10-19","2025-01-15","Guide LED pour régisseurs, scénographes et intégrateurs audiovisuels : pitch, poids, Hz, GOB, touring vs fixe. Pixelight au salon JTSE 2025, Dock Pullman, Paris.","md","\u002Fimages\u002Fblog\u002Fog-blog-default.jpg",{},true,"\u002Fblog\u002F2025-10-19-pixelight-partenaire-du-salon-jtse-2025",{"title":5,"description":853},"pixelight-partenaire-du-salon-jtse-2025","blog\u002F2025-10-19-pixelight-partenaire-du-salon-jtse-2025","h50ONGacobe08SjBszjFoQKW7gnGuc3pRT1V-oEK4YI",[864,869,875],{"title":865,"description":866,"date":851,"category":850,"slug":867,"path":868},"Innovations LED 2025 au SATIS — dalles courbables, totems interactifs et plug & play","Guide des innovations LED 2025 présentées au SATIS : dalles ultra-fines courbables, totems interactifs tactiles, systèmes plug & play Novastar\u002FBrompton. Pixelight au SATIS 2025, Docks de Paris.","pixelight-partenaire-du-satis-2025","\u002Fblog\u002F2025-10-19-pixelight-partenaire-du-satis-2025",{"title":870,"description":871,"date":872,"category":850,"slug":873,"path":874},"ADN RENTAL SERIE : écran LED événementiel GOB modulaire — guide complet","GOB (Glue on Board) résistance 2500 kg\u002Fm², configurations sol\u002Fsuspendu\u002Fcourbé\u002Ffaux plafond, P3.9–P5 : guide technique de l'ADN RENTAL SERIE de Pixelight pour l'événementiel.","2024-04-25","deroulez-lexcellence-ladn-rental-serie-redefinit-lexperience-evenementielle","\u002Fblog\u002F2024-04-25-deroulez-lexcellence-ladn-rental-serie-redefinit-lexperience-evenementielle",{"title":876,"description":877,"date":878,"category":850,"slug":879,"path":880},"Écrans LED pour pharmacies : GHOST transparent et Videostick — guide complet","GHOST USE-10.5 transparence 90%, Videostick adhésif 3M, pitch P3.9 à P7.8 : solutions LED vitrine pour pharmacies. Impact commercial, specs, réglementation et FAQ. Pixelight.","2024-03-29","transformer-les-vitrines-de-pharmacies-avec-les-ecrans-led-pixelight-gamme-ghost","\u002Fblog\u002F2024-03-29-transformer-les-vitrines-de-pharmacies-avec-les-ecrans-led-pixelight-gamme-ghost",1778527785268]